Widows Producer Iain Canning on the Long Car Tracking Shot
Widowsfeatures one of the great all-time tracking shots:Colin Farrell’ssuave politician, Jack Mulligan, enters his car from a rally—but instead of immediately cutting inside, the camera stays on the exterior of the limo as it travels from a derelict urban neighborhood to—in less than five minutes—a gentrified, posh suburb (where Mulligan lives). In this one, single take—filmmakerSteve McQueenhighlights the disparity between the Chicago communities, between the ‘one’ vs. ‘ninety-nine’ percent, between black and white....