No relationship demonstrates the power of a prolific director-actor pair more thanJohn FordandJohn Wayne. Together, they made 14 feature films, most of which were Westerns, but each grappled with American mythos. Unfairly maligned as superficially jingoistic, Ford and Wayne poignantlyreflected on the nation’s historyand its uncompromising implications on its future. Not only do the pair embody the power and beauty of cinema, but they are symbolic of America and its complicated ideas and history.Just because they were brilliant collaboratorsdoesn’t mean they were always cordial. Ford, notorious for his temperamental behavior on set,never shied away from viciously insulting his hotshot movie star.In one instance, during the filming ofThey Were Expendable, a World War II film that hit home for its veteran director, their relationship was pushed to the test when Ford’s rabble-rousing caused The Duke to crack.
They Were Expendable
A Navy commander fights to prove the battle-worthiness of the PT boat at the start of World War II.
John Ford’s Roughneck Persona and Veteran Background Contrasts With His Sentimental Films
At the prime of his career, with classics such asYoung Mr. Lincoln,The Grapes of Wrath, and the Best Picture-winningHow Green Was My Valleyunder his belt, John Ford put filmmaking aside to serve in the United States Navy during World War II.As a Lieutenant Commander and Captain,Ford was a decorated naval officer.He was honored with the Purple Heart Medal for wounds received off Midway Island in June 1942. Ford’s service to his country was captured in his documentary,The Battle of Midway.They Were Expendable, his first postwar narrative film, the director was credited as “John Ford Captain U.S.N.R.” Throughout his filmography,Ford’s filmsreflect his life at a respective phase.When he was an avid supporter of unions and liberal-minded politics in the late 1930s, he madeThe Grapes of Wrath.
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WhenPeter Bogdanovichasked Ford how he shot a particular scene inThree Bad Men, he dryly responded,“With a camera.“Seldom participating in interviews throughout his career, Ford was reticent to validate filmmaking as an art form, and approached the subject like blue-collar labor.This gruff attitude toward filmmaking starkly contrasts with theimages that Ford crafted on the screen, which were consistently poetic and painterly.My Darling ClementineandThe Quiet Mancould only be made by a sentimental artist, so much so that contemporary viewers may even be weary of the saccharine quality of Ford’s masterpieces. Despitethe romantic undertones of his films, Ford, an Irish immigrant, expressed a hard-nosed edge in the public, which especially manifested during the production of his films.Ford was often harsh to his actors and crew members, with biographerJoseph McBrideascribing him as a “tyrant.”
John Ford Caused John Wayne to Walk Off the Set of ‘They Were Expendable’
Say what you want about Ford’s notoriously cantankerous behavior,he wasn’t afraid to punch up. Ford mercilessly disparagedJohn Wayne’s acting abilities, from the way he walked to his speech patterns, once even calling him an “idiot.” From their first collaboration in 1939,Stagecoach, to their last in 1963,Donovan’s Reef, they were consistently contentious, yet always reverential. However, while filmingThey Were Expendable, it appeared as though Ford’s hostility would irreversibly fracture their bond. The 1945 WWII-set drama follows a Navy commander, Lt. John Brickley (Robert Montgomery), and his second-in-command, Lt. “Rusty” Ryan (Wayne), on a PT boat defending the Philippines against a Japanese invasion during the Battle of the Philippines. Beyond their contribution to the film’s production,theNavy’s imprint onThey Were Expendablewas immeasurable. Its principal figures, Ford, Montgomery, and screenwriterFrank Weadall served in WWII, and their onscreen credits are accompanied by their rank. A reflection of the period, the film, containing a written foreword by GeneralDouglas MacArthur, is unabashedly jingoistic.
One person who could not reasonably indulge in the patriotism emanating from the film was John Wayne, who notoriously never served in World War II.Despite his masculine personaand sanctimonious image as an American hero on the screen, he refused to volunteer for his country. Wayne was quick to degrade films thatchallenged American principles as “un-American,“but in the eyes of his director, he was the greatest traitor of them all. As evident by the proud display of Navy themes and iconography throughout the film, Ford cared deeply about honoring the troops. According to Wayne, he hadnever seen Ford asinvested in making a film as he was withThey Were Expendable.If Wayne wasn’t already feeling alienated by his lack of service among a cast and crew of veterans, then Ford was going to make him feel alienated. In his biography of the director,Searching for John Ford, Joseph McBride wrote, “A mere Hollywood civilian was hopelessly out of place.”
Ford resented Wayne for avoiding military serviceand vented his frustration through public acts of humiliation. In one scene, Montgomery and Wayne’s characters salute an admiral as he drives away, with their backs facing the camera. After the third take, upon yelling “Cut!”, Ford yelled at Wayne for everyone to hear, shouting,“Duke, can’t you manage a salutethat at least looks as though you’ve been in the service?“Montgomery, playing the mediator, later approached Ford and reprimanded him for speaking to another actor in that manner, but his attempt to alleviate the tension was too late, asWayne walked off the set for the first and only time in his long career.This affected him so deeply that Wayne, the almighty valiant soldier and cowboy, was brought to tears. Ford could only muster a phony apology after being confronted by Montgomery. The stressful atmosphere of the set would escalate when Ford, while filming a battle sequence, stepped backward and plunged to the floor, and suffered a fracture of his right shinbone. Montgomery filled in as director for the incapacitated Ford.
Is ‘They Were Expendable’ Based on a True Story?
They Were Expendableis based on a 1942 best-selling novel of the same name byWilliam Lindsay White, a journalist and foreign correspondent and newspaper editor. While a fictional story, the book was inspired by real battles and experiences on a PT boat inWorld War II. The book covers the exploits of U.S. Navy LieutenantJohn Bulkeleyand his PT boat crew in the Philippines. Detailed in Joseph McBride’s biography of Ford,Bulkeley was a decorated Navy commander, earning the Medal of Honor in August 1942 for destroying Japanese planes and ships in combat. Known as the “Wild Man of the Philippines,” Bulkeley once rescued Douglas MacArthur from the submarine-infested waters of Corregidor to safe harbor in Australia.
White’s book is a first-person account of Bulkeley’s combat experience. Ford was drawn to the book’s depiction of brave soldiers valiantly sacrificing themselves for a lost cause, as the book and film’s namesake is inspired by a belief held by Bulkeley, that,in the grand scheme of war, individual soldiers are expendable in the eyes of superior officers. To add authenticity, Bulkeley collaborated with the film’s screenwriter, Frank Wead. As the preeminent legend-maker,Ford was perfect for adapting a story of forgotten heroes for the screen. Returning to the homefront after years of service, Ford felt he had an obligation to tell an honest story about the war.
Why Didn’t John Wayne Serve in the Military During World War II?
Similar to Ford’s juxtaposition as a cranky drill instructorcompared to his heartfelt nuance as a storyteller, there is thick irony stemming from Wayne refusing to enlist in the war despite starring in countless war films and being an avatar for American patriotism. Critics and historians have theorized that his decision tostay in Hollywood while his contemporaries, includingHenry FondaandJimmy Stewart, fought overseas was tocement himself as a prominent movie star. McBride wrote that Wayne opted to capitalize on “the benefits of the box office boom in wartime entertainment.” Republic Pictures, the studio producing many of Wayne’s films, filed deferment requests on the star’s behalf. The Ford biography asserts that Wayne’s guilt over dodging WWII enlistmentcaused him to take aggressively patriotic and right-wing viewpoints, notably when he led the charge to excommunicate alleged communists in Hollywood during the 1950s.
This blow-up on the set ofThey Were Expendablepotentially could have permanently damaged the symbiotic bond between John Ford and John Wayne, but instead, their artistic partnership was just getting started. Through the next two decades, they made upwards of 10 films together, includingundeniable masterpieces inThe SearchersandThe Man Who Shot Liberty Valance. Oftentimes, primarily seen in the music world between band members,tension and hostility produce great art. While, for a certain cohort of modern film viewers, Wayne was an unremarkable actor with a shallow interpretation of America, Ford consistently used his image toreflect on American history and folklore. Ultimately, Wayne pretended to play a hero, while Ford embodied one.
They Were Expendableis available to rent on Prime Video in the U.S.
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